#169. V for Vendetta

“Happiness is the most insidious prison of all.”

Unfortunately, not one of my favorites. Maybe it was a "had to be there" sort of thing in 2005. 20 years later, I do see some undeniable parallels with the US government and the few who dare to fight back in exceptional ways. I just couldn't make it resonate with my specific taste.

Characters: 6

Acting: 6

Storyline: 6

Entertainment Value: 6

Immediate Rating: 6

Total Score: 30/50

#170. Lock, Stock, and Two Smoking Barrels

 

“When you dance with the devil, you wait for the song to stop.”

Lock, Stock, and Two Smoking Barrels follows four friends who become entangled in a web of crime after a high-stakes card game goes wrong. Directed by Guy Ritchie, the film aspires to blend dark humor with gritty action, but it doesn't quite hit the mark. The movie's excessive gore feels unnecessary, similar to In Bruges, but without the same level of earned finesse.

One of the main issues is that it too hard to be cool. The slick dialogue, flashy editing, and stylized violence seem forced. These aspects come across as overdone, making it difficult to fully engage with the story or the characters. Additionally, the plot is convoluted and can get overly complicated at times. The intertwining storylines and numerous characters create a narrative that's hard to follow, requiring too much effort to keep track of who's who and what's happening. This complexity can make watching the film feel like work rather than an enjoyable experience.

Despite these shortcomings, it does have its moments. There are glimpses of wit and gumption that hint at the potential for a better film. I won’t spoil the ending, but it’s by far the best part. Unfortunately, these moments are not enough to elevate it beyond mediocrity. My immediate rating is a 5.8.

Characters: 6

Acting: 5.8

Storyline: 5.5

Entertainment Value: 5

Immediate Rating: 5.8

Total Score: 28.1/50

#171. The Wages of Fear

 

“You don't know what fear is, but you'll see. It's catching; it's catching like small pox. And once you get it, it's for life. So long, boys, and good luck.”

Four men, desperate for quick cash, are hired by an oil company to drive two trucks loaded with nitroglycerin over hazardous mountain terrain to extinguish an oil well fire. The Wages of Fear is about the lengths an impoverished person will go, both physically and psychologically, to make ends meet. The film, directed by Henri-Georges Clouzot, explores themes of survival, desperation, and the human spirit under extreme pressure.

Admittedly, it took a long time for me to conjure up the inspiration to watch this one. It’s no surprise based on my previous posts that movies before the year ~1960 or so usually don’t capture me like newer movies do. However, this one is a remarkable exception. It took about 30 minutes to get truly interesting, and then I was on the edge of my seat for the rest of the movie.

The characterization was especially stand-out. Each character with their distinctive personality and charm, it’s easy to develop empathy and fondness for them, making the plot that more interesting. I found Mario, played by Yves Montand, uniquely intriguing as his morality is tested throughout the film. The interactions between the characters, especially the camaraderie and conflict, add depth to the narrative. The film doesn't shy away from showing the nuances of ethics when people are faced with dire situations.

The Wages of Fear is a captivating film that defies its era’s typical conventions. It’s a slow burn that rewards patience with an intense and emotionally engaging experience. My initial rating is a 7.8/10.

Characters: 7.6

Acting: 7.2

Storyline: 7.5

Entertainment Value: 7.6

Immediate Rating: 7.8

Total Score: 37.7/50

#172. How to Train Your Dragon

"I wouldn’t kill him, because he looked as frightened as I was. I looked at him, and I saw myself.”

My first viewing of How to Train Your Dragon was at my local Regal movie theater in 2010. Watching it again at home, I still enjoyed the experience, though the magic was more pronounced on the big screen. The animations and visuals are impressive, creating a visually captivating world. The storyline, while standard, holds a certain charm and has inspired many adventure movies that followed.

The characters, including the protagonist Hiccup, have their complex moments, adding to their relatability. Astrid, while not my favorite, adds a necessary dynamic to Hiccup's journey. Toothless remains the standout character, reminding me of my cat Roxie, who kept me company during the movie. The dialogue is charming, albeit a bit cheesy at times.

The pacing is a mix of engaging and uneven, with some scenes feeling perfectly timed while others drag on or feel rushed. Despite these moments, the movie is an enjoyable watch and I can't deny it's rightfully earned its beloved status. My immediate rating is 7.6/10.

Characters: 7.6

Acting: 7.4

Storyline: 7.5

Entertainment Value: 7.8

Immediate Rating: 7.6

Total Score: 37.9/50

#173. Twelve Monkeys

“Look at them. They're just asking for it. Maybe the human race deserves to be wiped out.“

12 Monkeys is a thrilling and thought-provoking science fiction film that explores themes of time travel, fate, and the meaning of existence. Directed by Terry Gilliam, the film stars Bruce Willis as James Cole, a convict from the future who is sent back in time to stop a catastrophic plague from wiping out most of humanity.

The film is a visually stunning, with Gilliam's unique style and imaginative direction creating a dystopian world that is both fascinating and frightening. Willis gives a standout performance as Cole, a man who is torn between his mission and his growing emotional attachment to the past. The film also features powerful supporting performances from Brad Pitt and Madeleine Stowe, who bring depth and nuance to their characters.

12 Monkeys is a mind-bending journey that will keep you on the edge of your seat from beginning to end. It's a must-see for fans of science fiction and time-travel movies. My immediate rating is 7.5.

Characters: 7.5

Acting: 8

Storyline: 7

Entertainment Value: 7

Immediate Rating: 7.5

Total Score: 37/50

#174. The Grapes of Wrath

"Sure don't look none too prosperous."

Characters: 7
Acting: 7
Storyline: 6
Entertainment Value: 6
Immediate Rating: 6.5

Total Score: 32.5/50

#175. 8 1/2

"I really have nothing to say, but I want to say it anyway.“

I was captivated from the beginning. An avant-guard horror movie more than anything, you never know what to expect. The ominous music, uncanny faces— all are deeply unsettling in the best way. The protagonist acts as our only anchor, unbothered my the absurdity he's perceiving.

The film is as random, anxious, and subversive as a nightmare, and doesn’t let you rest for a moment. I haven’t seen anything quite like it.

Characters: 7
Acting: 7
Storyline: 6
Entertainment Value: 5.5
Immediate Rating: 6

Total Score: 31.5/50

#176. The Gold Rush

I enjoyed this more than I expected. "The Prospector" (Charlie Chaplin) is strange yet charming, and you can't help but root for the guy.

Characters: 7.5

Acting: 7

Storyline: 6.5

Entertainment Value: 7

Immediate Rating: 7

Total Score: 35/50

#177. Casino

"That’s the truth about Las Vegas. We’re the only winners. The players don’t stand a chance.”

Characters: 7.5
Acting: 8
Storyline: 7
Entertainment Value: 7
Immediate Rating: 7.5

Total Score: 37/50

#178. The Secret in Their Eyes

 
“Choose carefully. Memories are all we end up with. At least pick the nice ones."

The most boring movie I've seen in a while.

Characters: 4
Acting: 7
Storyline: 5
Entertainment Value: 3
Immediate Rating: 5

Total Score: 24/50

#179. Grave of the Fireflies

“Why do fireflies have to die so soon?"

Characters: 6.5
Acting: 6
Storyline: 7
Entertainment Value: 7
Immediate Rating: 7

Total Score: 33.5/50

#180. Diabolique

“There is only one possible end. We are monsters. I don't like monsters."

Characters: 7
Acting: 8
Storyline: 6
Entertainment Value: 6.5
Immediate Rating: 7

Total Score: 34.5/50

#181. The Night of the Hunter

 

“It's a hard world for little things."

A vulnerable widow, Willa, marries a self-described priest, Harry, who becomes the step-dad of her children John and Pearl. Though Willa is devoted to her new husband, who claims to be able to bring her salvation, the kids suspect something is off about Harry.

I was going through a really hard time when I first watched this movie. The mood of it seemed to reflect my emotions, though I’m not sure if that was a good thing or bad thing. If I could describe it, maybe “heavy” is the word. Even after watching and forgetting various other movies, this one made an impression. I often think back to the words “love” and “hate” on Reverand’s right and left knuckles respectively. There are other disturbing visuals that make the movie iconic and often referenced.

I have to admit it’s not really my thing, despite its objective significance. I found it slow paced and too uncomfortable at times. My immediate rating is a 6/10.

Characters: 7
Acting: 7
Storyline: 6
Entertainment Value: 5.5
Immediate Rating: 6

Total Score: 31.5/50

#182. Judgment at Nuremberg

I created this blog more than 10 years ago. A teenager still, I excitedly dove head first into movies I would have never watched otherwise. What I would give to hold this excitement again, for anything. Years later, In the midst of the (justified?) insecurity of my writing and overall perfectionism, I was burnt out from even the little watching and reviewing I did. Though according to a few friends, it could be a bit more than I believe.

Then, faced with a 3 hour, black and white, court drama that I couldn’t find on the internet ANYWHERE, I gave up for a few years. But I never forgot about my goal. I frequently think about how proud I will be once I revisit and make progress on the Top 250 List. So for now, I’m back. Maybe just for this review and I’ll write another one 10 years from now. That’s okay. And hopefully, my writing will be just as bad as I fear, so I can just say “fuck my perfectionism” and finally write.

Side note - I haven’t used the email associated with this account in ages. It just took me about an hour to figure out how to log into this account, to the point I thought I’d never be able to post again. In experiencing this sadness and loss, I realized how important this blog is to me. I’m officially excited to post! ♡

 

“We must forget if we want to go on living.”

In 1947, US Chief Justice Haywood (Spencer Tracy) listens the arguments led by the German defense attorney, Hans Rolfe (Maximilian Schell), and American prosecutor, Col. Tad Lawson (Richard Widmark). Haywood’s judgment determines if the defendants have committed crimes against humanity by enforcing the heinous laws in Nazi Germany. Outside of the courtroom, Haywood gets to know ordinary German citizens and specifically takes a liking to Frau Bertholt (Marlene Dietrich), a widow of a German general.

I would have never seen this movie if not for the 250 List, but I’m thankful I did. The dialogue and acting stand out especially. I’m particularly impressed by Hans Rolfe’s performance. I don’t believe it had to be three hours to make an impact and be considered a great movie; if some content were taken out of certain slow court scenes, it could have been the same quality in two hours. But as someone who knows little about WW2 since forgetting most of what I learned ten years ago, I found the plot (inspired by true events) educational and eye-opening, and it led me to do more research on its background that I wouldn’t have done otherwise.

This isn’t the typical sit back and relax, popcorn flick that requires little thought, obviously. It took consistent intention and focus to fully absorb it, at least for me. Regardless, the actors’ performances and dialogue are emotionally impactful, highlighting the interconnection of ethics and law. I’m finding the movie difficult to assess as I feel unqualified to do so with my little knowledge and perspective of its context. Nevertheless, my immediate rating is a 7.5.

Characters: 7.5

Acting: 8

Storyline: 6.5

Entertainment Value: 6

Immediate Rating: 7.5

Total Score: 35.5/50

#183. The Incredibles

"We're superheroes. What could happen?”

A married superhero couple is obligated by the government to stop fighting crime and instead live the rest of their lives as normally as possible. Fifteen years and two kids later, evil is afoot, as is Mr. Incredible's impulse to defeat it.

I really enjoyed this film for the most part! It often surprised me with its depth and seemingly adult subject matter. The action was also pretty intense for a family movie. I don't believe it was at all too mature for children though; the themes were diplomatically a delicate balance of kid-friendly and an entry-level perspective into adulthood that isn't too abrasive. Further, I liked that they expressed the point that super villains aren’t necessarily always bad and protagonists aren’t necessarily always good. Ethics and human beings are colored with shades of gray.

There are also some great insights between the lines of this film that are fantastic to convey to someone of any age -- big dreams/talent being shoved in to too small spaces, the mundane reality that is middle age when true potential isn't being realized. It's a tale about the exceptional, AKA The Incredibles, but just as much the viewer.

So in my view, it was fairly good. There was intelligent dialogue and an interesting message as well as aesthetic (somewhat futuristic, somewhat retro 50's). It's a unique movie, that's for sure. I did find it a bit boring, too long, and predictable at times though, so my immediate rating is a 7.4.

Characters: 7.2

Acting: 7.3

Storyline: 7.3

Entertainment Value: 7.5

Immediate Rating: 7.4

Total Score: 36.7/50

#184. The Princess Bride

“As you wish.“

A grandfather reads a book to his sick grandson called the Princess Bride, a fairytale, adventure, love story that takes place in a mythical world, abundant with themes comparable to the most authentic human experience.

I am SO happy that I got another chance to watch this movie! It's just perfect. It has flawlessly cast actors, romance, horror, action, comedy, incredibly intelligent dialogue, the list goes on. All in the creative context of a story read by grandfather to grandson, honoring its original medium, a novel. What an adventure. I don't even usually like fantasy movies, but The Princess Bride is in a class of its own. 

The characters are fantastic; I have to give special props to Inigo Montoya (Mandy Patinkin), Fezzik (Andre the Giant), Vizzini (Wallace Shawn), and Westley (Cary Elwes). They compliment each other in such an ideal way, and each offer their own developed perspective on their motives, ethics, and loyalty. Such great chemistry. Not to mention, Westley is dreamy as hell. So romantic and handsome, with all the qualities for men to aspire to have and women to desire in a perfect partner.

Man, it's hard to even find something to criticize. Since it's been about 10 years since I've last seen this film, I figured I would have come up with something more insightful to say on this viewing, but it's just as magical as I remember. The fantastical scenery, how it pulls on the heart strings as well as makes the heart rush, and quotes that stay with you forever:

"Hello. My name is Inigo Montoya. You killed my father. Prepare to die."

“Inconceivable!”

“You keep using that word. I do not think it means what you think it means.”

“There's a shortage of perfect breasts in this world. It would be a pity to damage yours.”

“MAWAGE!!!”

“Good night, Westley. Good work. Sleep well. I'll most likely kill you in the morning.”

It successfully brought me right back to my childhood. Another Rob Reiner masterpiece. 9.5/10 is my immediate rating.

Characters: 9.5/10

Acting: 9.2/10

Storyline: 9.8/10

Entertainment Value: 9.8/10

Immediate Rating: 9.5/10

Total Score: 47.8/50

#185. The Killing

“You have not yet learned that in this life you have to be like everyone else - the perfect mediocrity; no better, no worse. Individuality's a monster and it must be strangled in it's cradle to make our friends feel confident.”

After a betting teller informs his wife of a planned heist that will make them millions, she creates a scheme of her own. All taking place over the course of a day, the film tracks the exciting racetrack robbery and its aftermath.

The Killing didn’t capture my interest as much as I feel it could have. That's not to say I don't think it's an objectively great movie. Anyone who would enjoy a well-done film noir would most likely enjoy The Killing. The ending is fantastic and unexpected, and I found the rest of the plot mostly interesting. I enjoyed the dark comedic aspects, and the film's general mood. I just wonder what the point of it all is. Sole entertainment? Though I enjoyed the movie in the moment, it didn't inspire me to question anything or think any further about it after it was over. Doing that is the reason I love watching movies.

Despite that, I enjoyed observing the character dynamic, as all the characters have a completely different reason for being involved in the heist and desire different outcomes. The acting is also good, and the dialogue is interesting and intelligent.

Overall, it was enjoyable, but doesn’t appeal much to my personal taste, so I don't find it memorable. My immediate rating is 7.1/10.

Characters: 7.3/10

Acting: 7.5/10

Storyline: 7.5/10

Entertainment Value: 7.3/10

Immediate rating: 7.1/10

Total Score: 36.7/50

#186. The Wild Bunch

“We all dream of being a child again, even the worst of us. Perhaps the worst most of all.”

A group of nine aging outlaws battle a Mexican army and a gang of bounty hunters in pursuit of one last big win in the Wild West.

I’ll start with what I enjoyed about this film — the beginning and the end, as well as the much too subtle (in my view) fear of aging theme. The way it began and ended was captivating, and without giving too much away, likely transformed the Old West genre from that point forward. As far as the theme — really moving. I’ve always been under the impression that westerns were more about the plot and non-stop action, so I respect that this film held something deeper for the viewer to contemplate.

That being said, I didn’t exactly enjoy this movie as a whole. The beginning and the end don’t account for the two hour middle portion that was chock-full of unnecessary long scenes, unlikable as well as unmemorable characters, and oddly placed laughing sequences. Not to mention, I was disgusted by its portrayal of women. I recognize that it was accurately depicting how women were viewed during that time, but every female character was without a personality/brain, and seemed to mindlessly and happily accept her role as a man’s plaything. That’s an archaic perspective, even for a movie filmed nearly 50 years ago.

I have a soft spot in my heart for westerns since my late grandfather loved them, and I’m disappointed that I can’t fully appreciate The Wild Bunch like so many other people, but it just wasn’t for me. Nevertheless, I still have high hopes for The Good, The Bad, and The Ugly and am looking forward to reaching it further up on the list.

Characters: 5/10
Acting: 7.3/10
Storyline: 6.5/10
Entertainment Value: 5/10
Immediate Rating: 6.4/10

Total Score: 30.2/50

#187. Kind Hearts and Coronets

“I made an oath that I would revenge the wrongs her family had done her. It was no more than a piece of youthful bravado, but it was one of those acorns from which great oaks are destined to grow. Even then I went so far as to examine the family tree and prune it to just the living members. But what could I do to hurt them? What could I take from them, except, perhaps, their lives?”

An impoverished, distant relative of the Duke of D'Ascoyne aims to take revenge on the family who’s disregarded him and acquire their wealth by murdering the eight inheritors that stand in his way of the throne.

The first time I watched this movie was years ago. For some reason or another, I didn’t fully appreciate it then, and deemed the plot boring. I’m so glad that I decided to watch it a second time (with subtitles and a film-schooled boyfriend), because it completely changed my mind.

What acting, humor, and fantastic dialogue! And now the plot may even be my favorite aspect. There are so many unexpected, exciting twists in the storyline, and interesting characters to carry it through. One pivotal element I overlooked upon first viewing was the fact that Alec Guinness flawlessly plays the entire D'Ascoyne Family, characters young and old, male and female. Not to mention, the makeup and acting was fantastic, because I didn’t even realize this until the end credits.

The subtle humor of this movie is one of a kind. Louis’ (played by Dennis Price) calm demeanor coupled with his vindictiveness, as well as irony in the plot twists make it a delight to watch. My immediate rating is a 8/10.

Characters: 8/10
Acting: 8.2/10
Storyline: 8.3/10
Entertainment Value: 8/10
Immediate Rating: 8/10

Total Score: 40.5/50

#188. Children of Men

"As the sound of the playgrounds faded, the despair set in. Very odd, what happens in a world without children's voices."

Chaos ensues in a future world where women have become devastatingly infertile. In year 2027, protagonist Theo Faron finds himself responsible for the preservation of mankind as he helps transport the only pregnant woman on Earth.

This film in one word? Heavy. Though it had a slow start, it picks up quickly and relentlessly around 30 minutes in and doesn't subside until the end. If you put this movie on knowing nothing about the plot beforehand like I did, prepare to feel your heart being torn out of your chest on multiple occasions. I've seen very few movies that tell a story as blatantly and grippingly as this one does. Blood on the camera, continuous scenes -- this film was designed to pull the viewer in and make them feel a part of the action, like another inhabitant of the apocalypse, desperate to survive.

The characters complimented each other well and all brought something different to the story, from reluctant and conflicted Theo, to composed and suave ex-wife Julian, to Jasper the eccentric hippie. The acting was certainly convincing too. Seasoned actors Clive Owen and Julianne Moore don't disappoint, and Clare Hope Ashitey's performance is impressive in one of her first and most career-defining roles as Kee.

With its enticing characters, brilliant acting, and great soundtrack, this is one film I'll be sure to watch again someday. Because of its heartwrenching plot twists and dismal nature, it probably won't be any time soon. My immediate rating is 7.5.

Characters: 7.8/10

Acting: 7.8/10

Storyline: 7.2/10

Entertainment Value: 7.8/10

Immediate Rating: 7.5/10

Total Score: 38.1/50