#170. Lock, Stock, and Two Smoking Barrels

 

“When you dance with the devil, you wait for the song to stop.”

Lock, Stock, and Two Smoking Barrels follows four friends who become entangled in a web of crime after a high-stakes card game goes wrong. Directed by Guy Ritchie, the film aspires to blend dark humor with gritty action, but it doesn't quite hit the mark. The movie's excessive gore feels unnecessary, similar to In Bruges, but without the same level of earned finesse.

One of the main issues is that it too hard to be cool. The slick dialogue, flashy editing, and stylized violence seem forced. These aspects come across as overdone, making it difficult to fully engage with the story or the characters. Additionally, the plot is convoluted and can get overly complicated at times. The intertwining storylines and numerous characters create a narrative that's hard to follow, requiring too much effort to keep track of who's who and what's happening. This complexity can make watching the film feel like work rather than an enjoyable experience.

Despite these shortcomings, it does have its moments. There are glimpses of wit and gumption that hint at the potential for a better film. I won’t spoil the ending, but it’s by far the best part. Unfortunately, these moments are not enough to elevate it beyond mediocrity. My immediate rating is a 5.8.

Characters: 6

Acting: 5.8

Storyline: 5.5

Entertainment Value: 5

Immediate Rating: 5.8

Total Score: 28.1/50

#171. The Wages of Fear

 

“You don't know what fear is, but you'll see. It's catching; it's catching like small pox. And once you get it, it's for life. So long, boys, and good luck.”

Four men, desperate for quick cash, are hired by an oil company to drive two trucks loaded with nitroglycerin over hazardous mountain terrain to extinguish an oil well fire. The Wages of Fear is about the lengths an impoverished person will go, both physically and psychologically, to make ends meet. The film, directed by Henri-Georges Clouzot, explores themes of survival, desperation, and the human spirit under extreme pressure.

Admittedly, it took a long time for me to conjure up the inspiration to watch this one. It’s no surprise based on my previous posts that movies before the year ~1960 or so usually don’t capture me like newer movies do. However, this one is a remarkable exception. It took about 30 minutes to get truly interesting, and then I was on the edge of my seat for the rest of the movie.

The characterization was especially stand-out. Each character with their distinctive personality and charm, it’s easy to develop empathy and fondness for them, making the plot that more interesting. I found Mario, played by Yves Montand, uniquely intriguing as his morality is tested throughout the film. The interactions between the characters, especially the camaraderie and conflict, add depth to the narrative. The film doesn't shy away from showing the nuances of ethics when people are faced with dire situations.

The Wages of Fear is a captivating film that defies its era’s typical conventions. It’s a slow burn that rewards patience with an intense and emotionally engaging experience. My initial rating is a 7.8/10.

Characters: 7.6

Acting: 7.2

Storyline: 7.5

Entertainment Value: 7.6

Immediate Rating: 7.8

Total Score: 37.7/50